We’ve had over 3,000 people take our writing challenges so we know a thing or two about goal setting. We know that having a poorly thought through writing goal – one that’s vague or has no real stakes attached to it is just as bad as having no goal at all. And we also know that having a good goal – one that’s specific and personal to you – can make the difference between finishing and failing. Writing goals: Here’s all our best tips condensed. [click to continue…]
How to write
Writing is hard but with the right systems, you can make your writing life easier – and that means you’re more likely to write. Saying that, sometimes the best systems in the world won’t help – you need a nudge and some support to get going – and keep going. And this is where tracking and reflecting on your writing progress can really help. [click to continue…]
Writing can be hugely rewarding but the process of reaching The End can be a challenge – and that’s why we procrastinate. But it’s only by knowing when and how you get side tracked that you can kill your procrastination gremlins and keep. Here’s how to use the science-backed methods of ‘choice architecture’ and ‘controlled breaking’ to keep focused your writing. [click to continue…]
You’re busy – I get it! Sometimes it feels that your daily schedule so jam-packed full of activities that it’s impossible to write. But in reality, it won’t be. There will always be nooks and crannies that you can use to do some writing – or do something that contributes to your writing goal. You just need a way to find this time and that’s where scheduling or ‘time blocking’ using our traffic light method can really help.
All writers are different – they approach their projects in different ways and are motivated and demotivated by different things. But they are the same in one way: they all need a plan and a system. Because without a system you’re just relying on your willpower – and that’s really hard. So, here’s two practical, actionable methods you can use to get a writing routine that will help you write unthinkingly. [click to continue…]
From his early days working with cult comedy icon Chris Morris to make cutting edge radio shows like On The Hour to creating top US comedies like Veep, Armando Iannucci has always put writing – and writers – at the centre of of his work. But how does something like The Thick of It and most recently his new film, The Death of Stalin (in cinemas October 20th) get written? And what tips does he have for aspiring comedy scriptwriters?
Here’s how to spot a lit-snob: if you see their eyelids flutter shut for a brief moment as their upper lip begins to curl a G softer than a French je ne sais quois soaked in Lenor and wrapped in a cashmere sock, they’re about to drawl ‘genre fiction’ with nauseating contempt. (I saw you just stuck your upper lip out curling a soft G. Me too.) Meanwhile, the rest of us are clutching our tatty old James Pattersons and Helen Fieldings, wondering what on earth the difference is. Or, more importantly, how do we write genre fiction? [click to continue…]
As feverish National Novel Writing Month (NaNoWriMo) writers across the globe step back bleary-eyed from their overheated keyboards – some with 50,000 words in the bag and others with rather less – how do they keep writing when there’s no deadline to hit? Here’s our 6 step guide to keep super-productive post-NaNoWriMo. Read more
In a mad dash to make it to the 11:59, November 30th finish line, writers must use as many underhanded (and overhanded) tactics they can think of to overcome their inner critics and write 50,000 words to earn a place in the hallowed National Novel Writing Month (NaNoWriMo) winners’ circle. [click to continue…]